Does technology make children less creative?
An IELTS Writing Task 2 opinion essay on whether technology reduces creativity in children, with a band 9 model answer, a plan, and notes on how it meets each marking criterion.
Write your answer
Do this before you scroll. The model answer below will make sense as a comparison and not much use as a template.
Task 2 · 40 minutes · at least 250 words
Some people believe that children who spend a lot of time using computers, tablets and phones become less creative than previous generations. To what extent do you agree or disagree?
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How to plan this one
- 1This is an opinion question. Decide your position before planning and put it in the introduction; "there are two sides" is not an answer to "to what extent".
- 2Partial agreement is a strong position here if you say exactly where you agree and where you do not: the device is not the problem, the use is.
- 3Pick two arguments, one for each half of your position, and give each a concrete example. Screens replacing unstructured play is a real cost; screens as tools for making things is a real gain.
- 4Keep the conclusion to the position and its reason. No new points, no advice to parents.
Model answer
Written at the top of the band. Read it for the moves it makes, not the opinions it holds: a memorised essay on this topic will not fit the prompt you actually get.
The claim that screens are producing a less imaginative generation is repeated so often that it is rarely examined. I partly agree with it, but the agreement depends entirely on how the time is spent, not on the device itself.
Where the concern is justified is in what the screen replaces. Creativity in childhood is built largely from boredom and unstructured play: the hours in which a child with nothing to do invents a game, builds something from what is lying around, or tells a story to a younger sibling. A tablet removes boredom instantly and completely. A child who reaches for a video at the first empty minute never has to invent anything, and the habit of inventing is exactly what does not develop. In that specific sense, passive consumption does displace the raw material of creativity.
The same devices, used differently, do the opposite. A ten-year-old today can compose music, edit a film, write and publish a story or design a working game with tools that a professional could not have afforded a generation ago. These are not less creative acts than drawing with crayons; they are the same acts with a wider range. The children who use screens this way are arguably more productive creatively than any previous generation, because the distance between an idea and a finished thing has never been shorter.
The difference between the two cases is not the amount of screen time but whether the child is consuming or making. That is set by the adults around them far more than by the technology.
So the statement is true of one pattern of use and false of another, and describing the effect as belonging to the devices lets the adults who decide the pattern off the hook.
Why it scores, criterion by criterion
Task Response
The position is stated in the first paragraph and is a genuine partial agreement, not a hedge: it names the condition on which the claim is true. Each body paragraph argues one half of that position with a developed example. The conclusion restates the position and adds the reason it matters, without introducing a new argument.
Coherence and Cohesion
The two body paragraphs are built as a deliberate contrast, and the fourth paragraph names the distinction the contrast demonstrated ("consuming or making"). Cohesion is carried by reference ("in that specific sense", "the same devices", "the two cases") rather than by sentence-initial connectives. Each paragraph has one central idea.
Lexical Resource
Precise, natural collocations: "rarely examined", "unstructured play", "raw material of creativity", "passive consumption", "lets ... off the hook". "Creative" is varied as "imaginative", "inventing", "making". Less common items are used because they are exact, not for display.
Grammatical Range and Accuracy
A range of structures under control: a fronted "Where the concern is justified is in", a colon introducing a list of examples, a conditional sense carried by "used differently", and a balanced antithesis in the final sentence. Sentence length varies, and the short final sentence of paragraph four is used for emphasis.
Language worth stealing
Each of these carries a trap as well as a use, so the note matters as much as the phrase.
- I partly agree, but the agreement depends on ...
- A partial position that is still a position. Follow it with the condition, or it collapses into fence-sitting.
- Where the concern is justified is in ...
- Introduces the half of the claim you accept. Note the singular verb: the subject is the clause "where ... justified".
- The same X, used differently, does the opposite
- Turns the essay to the other half without "on the other hand". The participle "used" needs a comma either side.
- The difference between the two cases is not A but B
- Names the distinction that decides the question. This sentence is what makes a partial agreement look like analysis rather than indecision.
More Task 2 practice
Last updated 18 September 2026.